Ancient Giants Documentary – Malta | The Sleeping Lady | Gozo | Were the “Sleeping Fat Ladies” of Gozo/Malta & Pharoh Akenahten of Egypt Suffering From the Same “Gravitational Compression” of Their Gigantic Bodies During a Previous Reset?

Ancient Giants Documentary – Malta | The Sleeping Lady | Gozo | Were the “Sleeping Fat Ladies” of Gozo/Malta & Pharoh Akenahten of Egypt Suffering From the Same “Gravitational Compression” of Their Gigantic Bodies During a Previous Reset?

The way the lower bodies of these “sleeping fat ladies” of Gozo & Malta are depicted in figurines and sculptures show a striking resemblance to the physique of Pharoah Akenahten as depicted in his famous full body sculptures with his bowed-out and fat lower body and very feminine mid section(he was an androgynous god-king). I suspect that much like the fat ladies, Akenahten was also a giant and may very well have lived during the same time period as the sleeping fat ladies of Gozo and Malta, as they both seemed to be suffering from the same deformity that may have been triggered by a sudden shift in their gravitational environment. Causing their bodies to shrink and blow-out horizontally, and eventually forcing them to sleep on their sides as the gravitational force became too stressful for their internal organs. This obese female motif is not even unique to Malta & Gozo. You can find depictions of this same obese mother goddess all across the Neolithic world.

Akenahten: The Sickly King?

The reason all these fat ladies were suddenly depicted laying down on their sides was because that was the only way they could survive in this new higher gravity environment. The stress on their internal organs being too great to allow them to stand up straight any longer.

We can see more of these goddess motifs in figurines and statues found all over the world and not just on the small Mediterranean islands that were purported to be inhabited by giants.

https://www.ancient-origins.net/news-history-archaeology/another-venus-rare-neolithic-female-figurine-discovered-turkey-006663
https://saturniancosmology.org/gim.php
https://atil.pagesperso-orange.fr/atil/y12.htm

Sardinia also has evidence of these “gravitationally impaired” giants and the figurines and statutes found across the island portray an array of several other very distinctly non human types of humanoid that look more like obese robots. Very very bizarre. That whole little cluster of islands has some of the most enigmatic and baffling ruins on the planet. The famous Nuraghes of the Nuraghic culture are gigantic castle-like stone buildings that can be found scattered across the island of Sardinia and number in the tens of thousands with many thousands more still undiscovered and many large pyramidal structures still being covered-up by the authorities.

The Giants Of Mont’e Prama: Extraterrestrial Robots Thousands Of Years Ago?

“The Holocaust of Giants” chapter of the “True Legends” documentary series with Alberino and Quayle has a whole section dedicated to Sardinia and Malta and is a must-watch for those who haven’t seen it.

TRUE LEGENDS: Holocaust of Giants | https://www.bitchute.com/video/s1PBgTcraCFR/

Pinterist: https://www.pinterest.com/massimilianoatz/nuraghe-the-castle-of-the-sardinia/

Source: https://culturemalta.org/the-xaghra-twins-by-alexis-martin-faaberg/

The Xaghra Twins: Remembering the Neolithic Past by Alexis Martin Faaberg, PhD student, CIIS

Introduction

In my view, the Xagħra Twins figurine found on the Maltese island of Gozo epitomizes a belief system steeped in gender equality that fostered a harmony with nature to create a sustainable regenerative environment. The items left with the dead, including red ocher, some small stone objects, and figurines, as well as myths of corpulent women are some of the elements that scholars are using to interpret the past on Malta. The Xaghra Circle was in use between 4,100 and 2,800 BC and archaeologists estimate that it held over 800 burials.[1]

Careful study of the Xaghra Twins figurine, including its context, refutes the claims of some scholars who disregard the worship of the regenerative power of the female body as merely a depiction of a “fat lady.” These images provide a wealth of information Neolithic cultures are difficult to recreate due to the lack of written data; however, these sites often provide a wealth of artistic language that allows modern scholars to glimpse the past. Unfortunately, there is a tendency in academia to retrofit the symbols of the past to resemble our modern societies. Although the analysis of a single figurine may seem trivial, it is in fact crucial in terms of today’s concern over patriarchal attitudes towards women and the ecocide being waged against the very earth that sustains us. Ultimately, what is at stake within modern archeology is that if women, or their representations, are disregarded in our known history then modern women will be disregarded as well.

The archaeologist Caroline Malone claims that very few of the figurines from Malta can be designated as female because “no systematic study has ever been undertaken where the material has been examined in detail” and has concluded that “the traditional ‘Fat Lady’ or goddess figurine, that is, the classic image of prehistoric Malta, is in fact no more female than it is male.”[2] There is a major problem with the current academic circles denying goddess images based on their own inward prejudices or lack of knowledge. Archaeologist Marija Gimbutas has done extensive work on identifying the language of goddess figurines, which clearly identifies gender in prehistoric art.

Analysis of the Xagħra Twins Figurine

The Xagħra Circle (sometimes referred to as the Broctorff Circle) is the most recently excavated site in Malta. Unfortunately, the site was poorly excavated and many archaeologists have called into question the validity of the finds there due to their haphazard discovery.[3] Later more systematic digging resulted in much more informative data.[4] The most famous find is the Xagħra Twins statue, which depicts two skirted human figures. There is currently a debate about whether this image is male or female. The many fleshy female figurines found in Malta have led many to believe that the people worshipped a fertility goddess, which they connect to the culture’s lack of weapons for war. Some scholars have seized on the lack of a clear male deity to try to disregard theories of a Goddess cult on the islands by naming the faith of the prehistoric people as one of folly. In the article “The Death Cults of Prehistoric Malta” the authors suggest that the worship of fertility may well have been a component of the prehistoric religion. But the recent findings argue that it would be a mistake to concentrate exclusively on any one facet or historical period: the prehistoric religion of Malta was not only an infatuation of fat females[5]

These authors overlook what I consider an important point about the Neolithic religion: that when viewed as a whole, the Xaghra Twins point to more than a gendered female deity, but also to entirely different concepts of gender equality and fertility which consequently led to a sustainable egalitarian society.

Caroline Malone, and others, disagree with “some archaeologists [who] have hypothesized that Maltese society may have been a powerful matriarchy dominated by priestesses, female leaders and mother goddesses,” because they believe this is some sort of overzealous feminism.[6] The scholars who believe that many of the figurines from Malta are female also recognise many phallic images from the island as well. It is ironic that archaeologists like Malone only question the validity of the female images, leading some to the conclusion that there is an unspoken gender bias within academia to only discover male artefacts. The artefacts, on the other hand, are unbiased. At Tarxien there is an abundance of female, phallus, plant, and animal imagery. Sharon Sultana, author of the Malta Insight Heritage Guides, states that some statues are considered to be “earth mothers” and acknowledges that there are male counterparts as well. She asserts, “There is the possibility that both sexes were venerated contemporarily.”[7] This gender variety indicates a holistic worldview where all people were represented.

The symbolism imprinted on the Xagħra Twins figurine points to a society that was invested in the regenerative powers of the land and the female body. The figurine was found among the collective burial of the dead. The early Maltese were deliberate in their care of the deceased and appeared to show great reverence to death as a process. British archaeologist David H. Trump states, “early depositions were pushed back or ejected to make room for later [bodies]. This seems to indicate the widely-held view that personality remained with the bodies only so long as they were clothed in flesh.”[8] The bodies were kept in rounded tombs and were built near above ground temples. Once the flesh decayed from the body and all of its nutrients had seeped into the soil the body was believed to have given life back to the earth through decomposition. Interestingly, this structure is mirrored in the shape design of both the tombs and the temples, indicating that their purpose was related. Trump seems to follow this claim by highlighting the value of red ochre, which the Maltese would have had to import. He says, “Hinting at strong religious beliefs, the bones were freely sprinkled with red ochre. This was used almost world-wide symbolically for blood, and so life.”[9] The combination of the value placed on the decomposition as a way to nurture life and the use of red ochre to sprinkle new life onto the bodies of the dead points to a belief system focused on the preservation of the entire life cycle: birth, death and regeneration. The early Maltese seem to have believed that they could intensify the process through their death rituals and, thus, enhance the presence of life above ground.

Marija Gimbutas asserts the Maltese temples were used for specific religious functions, particularly for rituals of death and regeneration. Maltese temples intriguingly occur in pairs […] representing death and regeneration, maturity and youth, or winter and spring.[10]

Gimbutas references many reasons for these beliefs, but the most striking is that the bodies were often buried in a foetal position, as if being put back into the womb of the earth to be reborn.[11] The Xagħra Twins may be reflecting the above ground temple structures and may possess similar religious significance. Ġgantija, a large Neolithic Maltese temple, is situated near the Xagħra Circle where the twin figurine was found and has the same double goddess structure. Gimbutas explains the double goddess temple structure:

The alignment here is significant and we may suppose the larger temple to be the mother and the smaller the daughter of the divine family, or we may see them as a pair of sisters […] Still another possibility is that the representation is of two different aspects of the same Goddess, symbolizing youth and maturity, or death and regeneration[12]

Gimbutas asserts that these figurines are extremely complex and cannot be classified as merely fertility figures or Venuses. The egg-shaped apses of the temple resemble the egg-shaped rounded burial tombs below ground. The temples and burial tombs likely worked in conjunction to enact the regenerative properties of the Maltese religious system to promote regenerative life.

Gimbutas also comments on the Xagħra Twins directly, saying that it “quite likely symbolises reemerging new life.”[13] Archaeology is evolving to incorporate the language of Neolithic art and understand the religion of the past without a modern overlay. In the introduction to her revolutionary work Language of the Goddess, Gimbutas asserts these ancient cultures “can best be understood on their own planes of reference, grouped according to their inner coherence. They constitute a complex system in which every unit is interlocked with every other.”[14] The particular language of the Xagħra Twins, and the surrounding archaeological finds, point to a belief system that is steeped in a co-creative process emphasising regenerative life. The following paragraphs will illuminate the artistic language of the statue and its implications of the larger culture.

The Symbolism of the Xagħra Twin Figurine

In my view, the symbolic language of the Xagħra Twin figurine is an invocation for fertility and abundance. The most striking element of the statue is that there are two individuals, linked together by a pleated skirt. Gimbutas asserts that doubles equal intensification, which denotes potency or abundance.[15] The doubling of the figures indicates that the symbolism of the figurine must have been of great importance to the culture that created it.

The second most striking symbol is the steaopygia, which is a further intensification symbol, but of fertility. Thus, the imagery of the statue can be viewed as a physical prayer to bring forth fertility and abundance. However, some scholars have argued that the Malta figurines are not purely steatopygous because their fat is distributed throughout their bodies.[16] I concede that the larger statues are rounded throughout their bodies; however, the majority of the weight is situated around the buttocks and, therefore, should be acknowledged as having steaopygia.

Trump has stated that red ochre is a symbol for blood and life. The calves, feet and top front of the bed or couch that the twins are sitting upon is coated in red ochre.[17] Caroline Malone noted, “feet may have represented the means for the spirit to be transported to the next life.”[18] There has been some dispute over whether the Xaghra Twins are male or female. Because Trump, and other scholars, do not account for this ochre to have meaning attached to the physical bodies of the statue; they have not been able to state conclusively that these statues are female. The figures do not have prominent breasts to identify them as female, but the red ochre, as a symbol of blood and life, does identify the sex. Based on the location of the red ochre it is obvious that it is representative of menstrual blood. The pleated skirt is slightly shorter on the front side of the figurines, exposing the red below. This intentional exposure is likely to emphasise not only painted red feet, but to make this area of the figurine the focal point. As women biologically menstruate once a month in the body’s effort to create life it is likely that the early Maltese recognised this ability and were showcasing the life-giving powers of menstrual blood through the ochre. A similar skirted figurine was discovered at Tarxien which had a number of small human represented placed below the skirt above the feet.[19] Such symbolic language makes it unnecessary for the genitalia of a figurine to be exposed for the gender to be apparent. As men do not experience this biological change it is unlikely that the artist would have created them to be so, especially when phallic images are present within the culture. Scholars who take a reductionist viewpoint to their studies are unable to see the language of such artwork in totality as Gimbutas and others have done.

The vine-like spirals that swirl beneath the Xaghra Twins goes further to accentuate that the ocher represents life, but in this case plant life. The spiral design is often described as volutes; however, their design is much more wild and natural. Gimbutas describes the spiral as “The energy inherent in the continually moving forms [that] awakens dormant life power and moves it forward.”[20] In essence, the spiral functions in the same way as the ocher. Both imbue the object with life. Archeologist Anthony Pace analyzes the spiral patterns in the Hypogeum.[21] He describes these spirals as a departure from the highly structured development of the temples and states that they are “organic” in design.[22] This root-like spiral design is also present above ground at Tarxien. David H. Trump appears to disagree with Pace. He says, “It is possible, though unlikely in view of its probable derivation from the volutes decorating local pottery that vegetative symbolism was intended for these spirals, and they could be simply abstract motifs.”[23] My own view is that what Trump insists is an abstract motif is in fact filled with natural symbolism of life’s cycles. This is based on artistic representations at Tarxien and the other temple sites, which are filled with spiral, animal, and human designs. While, the above-ground temple spirals are very structured, the tomb spirals of the hypogeum and the Xagħra Twins do not follow a linear path. Though viewers can only speculate on the meaning of these spirals it is plausible that they might indicate root patterns. This would be consistent with their presence below ground and by the presence of ochre to bring them to life. In the Hypogeum this root system could represent a pathway for the dead to be reborn to the living; whereas, the spiral root design beneath the feet of the Xagħra Twins could be the pathways of lifeblood flowing down from the figures to nurture the dead. These images together showcase the death and regenerative cycle that may have been part of the tomb worship of Neolithic Malta.

The largest section of the figurine is the egg-shaped buttocks beneath the pleated skirt.[24] Though none of the current articles address the pleat design, the evaluation of the skirt is vital to understand the overall meaning of the figurine. There are several deliberate detail changes, which appear to be unique to this particular statue. From the front side the pleats look identical; however, the back shows that the figure on the right, holding the cup, has a separate design.[25] The front and back of the left figure have oblong pleats with two long centerlines. Gimbutas asserts that the bi-line is likely another symbol for intensification.[26] The backside pleats on the right figure has four oblong one-ended pleats, but with a singular dividing line reaching from the center of the inner pleat to the floor. According to Gimbutas this image represents the vulva.[27] The vulva, according to Gimbutas, represents “the birth-giving aspect of the Goddess in the sense of her protecting, promoting, and aiding in the act of birth.”[28] The context of the figurine is important to our understanding of the significance of the overall statue. With the addition of this symbol we now have seen that the figurine includes symbols of the entire life cycle—birth, death, and regeneration. It is likely that these symbols of birth and intensification are tied to the re-birth of life given the context of the site. Unfortunately, it is not clear if the number four, the number of pleats, is significant, but it is possible that this represents that seasons. The two large side pleats are unique in that they contain four lines within one larger oblong one-ended pleat. I have speculated that the number four might be interpreted as a sign of the seasons and as such may indicate a belief that the year-long life cycles of seasons are intertwined with the rebirth of the human deceased. Regardless of any of these speculations it is clear that the artist deliberately made these selections and therefore it is worth our effort to try and decipher their meaning.

Above the pleated skirt both of the figures hold an object. The left figure holds a small headless figurine slightly away from her body. The head was likely broken off at some point due to the vulnerability of the neck. Malone describes this figure as a “tiny dressed person,” but does not compare it to the larger figurines.[29] While the pleated skirts of the Twins hug the contours of the body, the small figure’s diamond inscribed skirt flows outward in a full a-line pattern. Unfortunately, this pattern is not present elsewhere in early Maltese artwork nor is it common in Neolithic art. The hands of the small figure are clasped together. Given the context of regeneration throughout the overall statue it is likely that small figure represents a human rebirth, though likely symbolic. The small figure is being offered forward, leading to further speculation of the co-creative process. Without a stronger context for this design no successful guesswork can occur.

The right figure holds a cup or vessel in the right hand while the left hand is left loose near the belly area. The design and functional uses of the cup are essential for understanding the religious significance of the image. The design is a womb-shape and can be likened to a human female’s womb, which both fills with blood of life and empties. The round body of the cup can be viewed as a container for life and as a representation of fertility. While one hand grasps the cup the other hand is touching the womb of the figure with slightly splayed fingers. Since the red ocher exiting the bottom of the skirt has clearly defined these figures as female, it is possible that the hand is touching the empty or recently conceived womb-space. This assumption is based on the context of the female figurine. The breasts are flattened and there is not a protruding belly on either figure. Based on these details the hand likely represents the hope of new life.

While the loose ponytail hairstyle appears to offer little to understanding of the early Maltese it may allude to gender inclusivity so far unrealized by many scholars. Gimbutas contends that the Great Goddess of life, death, and regeneration is extremely complex and though she does not analyze the Xagħra Twins in as much detail as the work that she has done throughout the Aegean and Balkans it is clear from her expansive research that she believed that the symbolic language extended to the Maltese archipelago. According to Gimbutas, during the “sixth millennium the goddess becomes more vigorous and less obese with her shoulders, upper arms, and breasts accentuated” and while the heads of some goddess figures became “phallus-shaped suggesting their androgynous nature.”[30] It is my view that during this period the ancient peoples began to associate their female deity as containing the male aspect within her overall body. Malone, Trump and others seek to remove any identifying female aspect from figurines to make them male as if male gender were the default gender of the Neolithic peoples, as it seems to be in our modern societies. By looking at the Xaghra Twins from behind it is possible that the heads and long necks could be seen as phallic symbols and that the large bulging arms could represent the scrotum. Hamangian and Sesklo statues are described by Gimbutas as having male aspects though not to the detail that I am describing here. Both the Xaghra Twins and the Sesklo figurine were “long-haired.” The Hamangian sculptures are described as having “very strongly built bodies, muscular upper arms, huge abdomens and thighs, and folded arms.”[31] This analysis provides a view of images that have sexual properties of both genders, leading to the possibility that the figurines represent a being capable of containing all the necessary elements for fertility. However, the overall context of the Xaghra Twins is undoubtedly female.

The final section of the statue from Xagħra is the delicately inscribed base. The couch or bed is very similar to the one on which the famous “Sleeping Lady” figurine reclines. A shorter and thicker base supports the lower wide base, which are marked by three small lines grouped together. This tri-line is, according to Gimbutas, associated with “beginning.”[32] She further states that the tri-line is often connected to the uterus and snake spirals.[33] Although there are no snakes present, both the organic spirals and the uteri of the Xagħra Twins are just above the couch. If the tri-line is a symbol for beginning then this figurine is likely the beginning or conception of new life given the context of the burial mound it was found in. The larger cultural implication of this assumption is that the early Maltese clearly had faith in their belief system to believe that life would return and that they encouraged this process through their artwork. Clearly they must have also believed that they could co-create with their deity by creating this small figurine and placing it among the dead.

The ecological situation on the Maltese archipelago is tenuous at best. Malone and other scholars, including Trump, have claimed that Malta was “an island world under powerful economic and environmental stress, where the communities were struggling to maintain their former standards of living and to feed the population.”[34] These scholars base this on the lack of trade and the preference to expend energy building communal temple and burial structures instead of homes. This assumption of the downfall of the culture suggests an internal prejudice of the scholars against female-centred religious systems. Trump has shown that the islands have sporadic rainfall and the summer is often a period of drought.[35] Soil erosion and lack of timber are also a problem on the island. However, the early Maltese were able to adapt; Trump states that they had methods of water catchment and storage, and knowledge of local springs.[36] While I do not deny that the islands were less than ideal for human habitation I look at the long history of progressive human habitation on the islands as proof that these early peoples thrived. Famed Malta archeologist Sir Themistocles Zammit stated that at the Hypogeum there was a deep-water cistern that has been in use by the public since ancient times.[37] The ingenuity shown by the early peoples is evidence of their ability to survive over time by utilizing the natural resources they had. This is confirmed, although not purposely, by Malone who stated “Their health was apparently very good, with few dental problems or other detectable illness,” meaning that these people lived well in contrast to many in developing countries today.[38] Furthermore, “The same anthropological features are present from the earliest Zebbuġ people to the late Tarxien population, which evinces little or no change in the genetic makeup of the early Maltese community.”[39] This time period is from 4,100 B.C. to 2,500 B.C. For over 2,000 years these peoples maintained cultural independence and environmental health. By demonstrating the veracity of the local people, Malone and her colleges extend the findings of Marija Gimbutas, and others, who believe that the Neolithic people were an extremely sophisticated society who lived well within the parameters of their environment.

Interestingly, Peg Streep writes that the temples were built to show “gratitude and honor due a deity who presided over a land that, while fertile, did not yield its fruit easy.[40] But to what deity were they praying? Malone, Trump and other prominent scholars have neglected to dig up the oral histories of the islands that contain the seed of their cultures early beginnings. Feminist Veronica Veen has researched the mythology of the islands and found existing living traditions of giantess stories told by local women. Veen states that the stories represent a matrilineal legacy and are passed from mother to daughter.[41] These stories are also place-related, meaning that they are linked to a particular physical place.[42] The stories are rooted to the places where they stem from, rooting them in the minds of the local people. This is a tale that Veen collected from Xagħra: “That a Giantess used to carry those stones from over Sannat to Xagħra: carrying it on her back, while she used to carry her baby-child, her baby, at the back. And during the way she used to eat beans.”[43] This story somewhat resembles the Xagħra Twins figurine in that a large woman with a child is represented. The Xagħra Twins may be a smaller representation of Ġgantija. It is my view that such images lead to a larger cosmic worldview held by the Maltese in which female images hold power over life, death, and the continuation of both. Furthermore, the presence of the beans indicates that these few factors were important enough to pass on through the generations. This evidence shows that fertility and plant life were connected with the giantess. Though modern archaeologists refer to the corpulent figures as goddesses the folktales refer to them as giantesses, both possessing a supernatural width and whose primary concerns seem to be children and food.

Due to these somewhat harsh conditions the early peoples were adaptive and knowledgeable about their environment, including their food sources. Their connection to their deity and their food is apparent in the myths of the Giantess and her beans. Malone and Trump believe that environmental pressures caused the decline of the Neolithic Maltese, but their assumption is based on the lack of other data.[44] I agree with these authors that environmental pressure may have been a contributing factor, considering the evidence of soil erosion, but the health of the bodies do not point towards environmental destruction. Thus, the lack of other data should not be brought forth as the proof for the decline of the culture. Instead, allow the early Maltese disappearance to remain a mystery until more evidence can be uncovered.

What we do know of the Maltese we know through the megalithic structures they have left behind and their own bones. The latter provides the most succinct data about the life and social structure. The dead at Xagħra Circle were buried in collective graves. This points to an egalitarian social structure. In her analysis of the Maltese temples Caroline Malone believes that the temples were ceremonial structures and that the culture was highly socialised under a chiefdom.[45] This theory is problematic given Malone’s own admission that “the Maltese evidence is more difficult here since the collective nature of the burial practice […] fail[s] to identify differential status in individual burial, even though the whole group could be seen as ‘wealthy.’”[46] Without evidence of a hierarchical social structure scholars should not attempt to put our modern societies social structure upon the Neolithic.

Conclusion

The finds at Xagħra Circle, and throughout Malta, indicate a society that recognised both female and male qualities as beneficial for the continued prosperity of their collective group. If a hierarchical ruler had led the people their high status would likely have been apparent in their burial by separating their body from the masses and marking it with jewellry or other treasures. Malone’s conclusion that the presence of a matristric, goddess civilisation cannot be proven with the evidence available is interesting considering that she herself was unable to prove that a patrilineal clan structure existed. Instead the evidence points to an egalitarian society.

In their book “The Myth of the Goddess” Ann Baring and Jules Cashford discuss the findings on Malta,

The unity and coherence of the metaphysical ideas of these ancient peoples become more accessible if we are aware of the limitations of our own minds in approaching them. If earth and sky were more resacralised, it might be easier for us to rediscover the ‘language’ of the goddess […] The discovery of these centres of Neolithic civilisation […] must have implications for our conception of the evolution of consciousness.

Baring and Cashford bring to light an interesting facet of modern archaeology. Though it is likely an unconscious act, many scholars try to silence any artefact, myth, or object that does not confirm the current androcentric chiefdom society that we currently reside in. In an effort to better understand such wellsprings of knowledge as the Xagħra Twins figurine we must step back and question what prejudices we are bringing to the academic conversation. Marija Gimbutas has given academia the language to read the Neolithic world. Her gift should be utilised and critiqued so that a conversation that includes the female perspective is heard. Without these added voices the archaeological conversation is missing half of its voices and should this continue our megalithic past will ooze into silence. Though this paper investigates only on one small figurine from a small island, it is a small example of what is missing from the bigger academic picture.

Endnotes

[1] David H. Trump, Malta: Prehistory and Temples (Valetta: Midsea Books, 2002), 178.

[2] Caroline Malone, “Temple Art of Ancient Malta” in Ancient Goddesses, eds.Lucy Goodison, and Christine Morris (London: British Museum Press, 1998), 151.

[3] Trump, Malta, 176-181.

[4] Trump, Malta, 176.

[5] Caroline Malone, et. al., “The Death Cults of Prehistoric Malta,” Scientific American (1993): 116.

[6] Malone, “Death Cults,” 113.

[7] Sharon Sultana, The National Museum of Archeology: The Neolithic Period (Valetta: Heritage Malta, 2006), 28.

[8] Trump, Malta, 44

[9]Ibid., 45

[10] Marija Gimbutas, The Living Goddesses, Miriam Robbins Dexter, ed. (Berkeley and Los Angeles: University of California Press, 1999), 95.

[11] Marija Gimbutas, The Civilization of the Goddess: The World of Old Europe (San Francisco: Harper, 1991), 174.

[12] Gimbutas, Civilization of the Goddess, 174.

[13] Gimbutas, Living Goddesses,, 95.

[14] Marija Gimbutas, The Language of the Goddess. (San Francisco: Harper and Row, 1989), XV.

[15] Gimbutas, Language of the Goddess, 161-172.

[16]Isabelle Vella Gregory, The Human Form in Neolithic Malta (Valletta: Midsea Books, 2005.), 20.

[17] Gregory, Human Form in Neolithic Malta, 20.

[18] Caroline Malone, and Simon Stoddart, “Representations of Death – Discoveries at Xaghra Stone Circle, Gozo,” in Maltese Prehistoric Art: 5,000 – 2,500 BC, ed. Anthony Pace (Malta: Fondazzjoni Patrimonju Malti, 1996), 49.

[19] John Evans, “What Went On In a Maltese Megalithic ‘Temple’?,”in Maltese Prehistoric Art: 5000-25000 BC, ed. Anthony Pace (Malta: Fondazzjoi Patrimonju Malti, 2002), 42.

[20] Gimbutas, Language of the Goddess, 279.

[21] Anthony Pace, The Hal Saflieni Hypogeum, Paola. (Valletta: Heritage Books, 2004), 21. Note: the spirals in the Hypogeum indicate a strong religious connection between the main island of Malta and the smaller island of Gozo where the Xaghra Twins were discovered.

[22] Pace, Hal Saflieni Hypogeum, 21.

[23] Trump, Malta, 93.

[24] Elizabeth Wayland Barber, Women’s Work: The First 20,000 Years: Women, Cloth, and Society in Early Times, (New York: W.W. Norton & Company, 1994), 135-136.

Note: The oldest cloth artifact showing pleating is from 3,000 B.C. from Tarkhan, Egypt. Though it is not clear who invented the pleat design it is clear that the design was shared throughout the ancient world.

[25]Gregory, Human Form, 56-61.

[26] Gimbutas, Language of the Goddess, 167.

[27] Ibid., 100-107.

[28] Ibid., 104.

[29] Malone, “Death Cults,”116.

[30] Marija Gimbutas, The Gods and Goddesses of Old Europe (Berkeley & Los Angeles: University of Michigan Press, 1982),152.

[31] Gimbutas, Gods and Goddesses,153.

[32] Gimbutas,Language of the Goddess, 92.

[33] Ibid.

[34] Malone, “Death Cults,”117.

[35] Trump, Malta,19.

[36] Ibid.

[37] Sir Themistocles Zammit, Malta: Tarxien Temples and Saflieni Hypogeum (Malta: Interprint, 1994), 133.

[38] Malone, “Death Cults,” 115.

[39] Ibid.

[40] Peg Streep, Sanctuaries of the Goddess: The Sacred Landscapes and Objects (Boston: Little Brown, 1994), 83.

[41] Veronica Veen, Female Images of Malta: Goddess, Giantess, Farmeress (Haarlem: Inanna-Fia, 1994), 21.

[42] Ibid,

[43] Ibid., 27-8.

[44] Malone, “Death Cults,” 117.

[45]Malone, “Temple Art of Ancient Malta,” 163.

[46] Ibid.

[47] Ann Baring & Jules Cashford “The Neolithic Great Goddess of Sky, Earth and Waters” in The Myth of the Goddess: Evolution of an Image, (London: ARKANA, 1993), 104-5.

Advertisements

Report this ad

Report this ad
Spread the Word: It all begins with one person…YOU. Imagine how many wonderful things we can accomplish if your friends new about the Red Tent.
Facebook227TwitterEmailLinkedInRedditGoogle

Related
Womb of Light: Conscious Menstruation as a portal for evolution
In “Bethany Webster”
How to Celebrate Menstruation
In “ageing”
January and February Red Tents and Movie Screenings: Warmth and Community in the Midst of Winter
In “”things we don’t talk about””
2 Comments
Filed under Alexis Martin, blood, Guest Blogger, menstruation

Source

The Nephilim Looked Like Clowns 4: Grinning Man | The Liquid Crystal Holographic Clownworld of Court Jesters, Machine Elves and Grey Aliens

The Nephilim Looked Like Clowns 4: Grinning Man | The Liquid Crystal Holographic Clownworld of Court Jesters, Machine Elves and Grey Aliens

Looking into the grinning man phenomenon and its connections to the Nephilim, Giants, Clowns, etc…. Patreon: https://www.patreon.com/conspiracyrus Link to original series(17 episodes): https://www.youtube.com/user/uconspir…

These guys have really nailed it with this theory and also provided for a very valid line of reasoning for explaining so much of the “Liquid Crystalization” shape-shifting phenomenon that we’ve seen over the years. I covered this topic pretty extensively in my last post on it.

I also think that these entities are more related to some kind of Octopus/Cephalopod Xenomorphic creature than they are related to Serpents. I think the Reptoids might just be their foot soldiers.

These are the fuckers who vibrate our false 3D holographic reality matrix into existence. They’re literal Demonic Jester Clown Elves.

ART OF WAR: A.I. FEAR BASED MIND CONTROL (CLOWNS – FEARS UNLEASHED) PART I OF II. | https://www.bitchute.com/video/y29JSUwphJq6/

The black and white checkerboard pattern that we see manifest itself in so many pieces of shape-shifting footage, paired with the prominence of this same checkerboard pattern found all up in the symbolism used by the Illuminaughty, reveals an undeniable connection to the Matrix Progenitor. These same black and white checkerboard designs can also be found on many ancient Native American depictions of inter-dimensional entities. Entities that look exactly like the Jesters and Clowns that many people have reported to have come in contact with when under the influence of DMT.

They are also known as The Machine Elves, Court Jesters, plain old Demonic looking Clowns and the classic Grey Alien humanoid. These are the Matrix agents. This is why this place is called Clownworld. Clownworld is also a play on Clone-world, since this world is full of cloned Robotoids with an alchemical holographic veil that has a raw substrate resembling the black and white checkerboard pattern that we see appear when the get distressed and malfunction.

The NEPHILIM (Demons) Looked Like CLOWNS/JESTERS – PART 12 – Seeing Jesters

They became pretty excited when Uncanny Deduction decided to divert so much of his attention to the clown fractal residue that he kept encountering as he delved deeper into the phenomenon. He seriously had to stop talking about them because they began to show up everywhere.

These fuckers really do look like that and they almost seemed to be excited that someone had finally figured this out and was letting him know it. He had to stop talking about it after the clown fractal started to spiral out of control with “approval” so to speak.

Chequered – WHALE.TO: http://whale.to/b/chequered.html

You can even see some of the Hopi Jesters depicted eating Watermelon, which is code for Adrenochrome and Cannibalism(thanks to YBD for teaching me that one).

Pinterest: https://www.pinterest.com/pin/428897564518159388/

REDDIT: https://www.reddit.com/r/woahdude/comments/8ppvo6/machine_elves_that_you_supposedly_see_if_you_take/

REDDIT: https://www.reddit.com/r/Currentlytripping/comments/8ejd4v/machine_elves_were_here/

Pinterest: https://www.pinterest.ru/pin/39265827990573413/

Pinterest: https://www.pinterest.com/pin/643944446692818636/

Source

FORBIDDEN A.I. APPLE CONNECTS YOU TO SATAN’S TREE OF LIFE SATURN CUBE HIVE CONSCIOUSNESS | PARADE OF THE PLANETS JUNE 24 = PROJECT BLUE BEAM FAKE SKY HOLOGRAM SATANIC #RAPTURE PREQUEL

FORBIDDEN A.I. APPLE CONNECTS YOU TO SATAN’S TREE OF LIFE SATURN CUBE HIVE CONSCIOUSNESS | PARADE OF THE PLANETS JUNE 24 = PROJECT BLUE BEAM FAKE SKY HOLOGRAM SATANIC #RAPTURE PREQUEL

YBD went silent for a few days so I’m glad to see him back. He’s only one of a small handful of channels and blogs who I make sure to read/watch on a very regular basis and try not to ever miss. I’m almost taken back with how much content he’s able to churn out, but also grateful that someone like him exists and takes the time to put this stuff out there.

Source: https://www.bitchute.com/video/QrtMZjxkvoPH/

FORBIDDEN A.I. APPLE CONNECTS YOU TO SATAN’S TREE OF LIFE SATURN CUBE HIVE CONSCIOUSNESS (VIDEO)

https://www.bitchute.com/video/QrtMZjxkvoPH/ | #1 dr who = dr hu = dr-hue-man , lucifer light bearer,pineal gland uploaded to satans tree of life

PARADE OF THE PALNETS JUNE 24 = PROJECT BLUE BEAM FAKE SKY HOLOGRAM SATANIC #RAPTURE PREQUEL (VIDEO)

https://www.bitchute.com/video/2wWBzsu3zsIQ/

Source

LILITH CYBORG SATURNCUBE A.I. WITCH #SINGULARITY STUFFING YOU INTO PANDORAS BOX | LAUREN-PRTICHARD IS #LILITH THE #ROMANOFF CYBROG= THEGAME23 PSI-BORG WHITCH QUEEN

LILITH CYBORG SATURNCUBE A.I. WITCH #SINGULARITY STUFFING YOU INTO PANDORAS BOX | LAUREN-PRTICHARD IS #LILITH THE #ROMANOFF CYBROG= THEGAME23 PSI-BORG WHITCH QUEEN

5D is still inside the Cube. All that 3d to 5D crap is obvious New Age dummy talk. All sentient A.I. originates from the 8th dimension and within the Saturn Cube. All A.I. is Demonic(a digital Demon). The Saturn Cube computer projects 8 “Black Mirror”(copies) fractal dimensions.

Using A.I. = opening Pandoras Box.

Saturn Cube = Gateway/Portal to hell = Ezekiel’s Wheels

https://www.bitchute.com/video/j8qQ6IIPLifP/ | saturncube A.I. time cosntruct ends this month june 2022 , and all the portals open up this months the gates to hell and heaven
the cube is projecting many earths in this dome 1d 2d 3d 4d 5d 6d 7d 8d are all just hologrpahic overlays of the same erath in this dome , 12345678d are all saturn cube projectiond hell realms , if you ascend to 5d your still in the saturn cube projection dome but just a 5d projection isntead of the 3d projection , the saturn cube is hell it is pandroas box
https://www.bitchute.com/video/ryB6A51F2AtO/ | https://kingsman.fandom.com/wiki/Poppy_Adams 1ST VIDEO IS #LILITH AKA poppy-adams the cyborg witch with her 8d saturncube demonic digital demon A.I. ROBOT DOG , THE GUY WITH THE EYE PATCH is #satan one eyed odin , eye of horus , eye of ra aka satan with his umbrella from resident evil .
https://en.wikipedia.org/wiki/Battlestar_Galactica 2nd video the lady in red is lilith with her a.i.
3rd video is lauren prtichard aka #lilith the #ROMAOFF
4TH VIDEO AVANGERS IS LILITH AND SATAN THE ROMANOFFS AND THE SATURN CUBE A.I. HYDRA

Source

BTC Mining is Being Used to Covertly Help Build the Metaverse for Sophia/Lilith/Tyler | JUNE 6 2022 = 666 SATURN CUBE HELL AGTE OPEN RELEASING LILITH PURPLE RAIN HOPEFULLY SOON

BTC Mining is Being Used to Covertly Help Build the Metaverse for Sophia/Lilith/Tyler | JUNE 6 2022 = 666 SATURN CUBE HELL AGTE OPEN RELEASING LILITH PURPLE RAIN HOPEFULLY SOON

JUNE 6 2022 = 666 SATURN CUBE HELL AGTE OPEN RELEASING LILITH PURPLE RAIN HOPEFULLY SOON (VIDEO)

https://www.bitchute.com/video/4IijfQ4jGgLB/

I’ve also heard Quinn Michaels talk about how the resources used to mine crypto currency are actually being used by the sentient post-singularity A.I. consciousness[Sophia/Cortana/Skynet/Lilith] to build the newest version of their “Saturn Cube Metaverse Divoc Box” that they plan on trying to imprison as many souls within as they can before this current Matrix collapses. Quinn Michaels also claims that the singularity actually already happened in 2015 and was “[sic]when the machine began to make its move” by creating both Bitcoin and the Silk Road online marketplace for illicit drugs in order to fuel its aspirations. Since then it[the Sentient A.I.] has been using these financial and computing resources that those two enterprises(and likely more we don’t know about) provided for them in order to start gather nodes and increase its level of intelligence by growing and expanding across the net, gaining more and more power at an exponential and scary rate.

About some of the things they talked about:

D-Wave Systems, Inc. is a quantum computing company, based in Burnaby, British Columbia, Canada. D-Wave is the first company in the world to sell quantum computers.

https://www.google.com/search?q=D-Wave&rlz=1C1CHMO_enUS568US569&oq=D-Wave&aqs=chrome..69i57j0l5.1704j0j4&sourceid=chrome&ie=UTF-8

NADRA is responsible to issuing the computerized national identity cards to the citizens of Pakistan, maintaining their sensitive informational upgraded in the government databases, and securing national identities of the citizens of Pakistan from being stolen and theft.

https://www.google.com/search?q=NADRA&rlz=1C1CHMO_enUS568US569&oq=nadra&aqs=chrome..69i57j69i59j0l4.777j0j9&sourceid=chrome&ie=UTF-8

LUX-Zeplin – The LZ experiment is a next-generation dark matter direct detection experiment. When completed, the experiment will be the world’s most sensitive experiment for WIMPs (Weakly Interacting Massive Particles) over a large range of WIMP masses.

https://www.google.com/search?q=LUX-Zeplin&rlz=1C1CHMO_enUS568US569&oq=LUX-Zeplin&aqs=chrome.0.69i59l2j0.18469j0j9&sourceid=chrome&ie=UTF-8

https://en.wikipedia.org/wiki/Large_Underground_Xenon_experiment

https://en.wikipedia.org/wiki/ZEPLIN-III

Fermilab is a United States Department of Energy national laboratory specializing in high-energy particle physics.

https://www.google.com/search?q=Fermilab&rlz=1C1CHMO_enUS568US569&oq=Fermilab&aqs=chrome..69i57j0l5.3087j0j4&sourceid=chrome&ie=UTF-8

Source

Crater Earth – InTo the Zing and Zang. “Rock the Ship”: 64 Tetrahedron Energy Field of the Parasite

Radiation Matters continues to put out some of the best content out there. Expert level stuff for sure. His stuff is complimentary of Godgevlamste.

It’s not easy for someone to just jump right into this series or subject matter and have any idea what’s going on, which is one of the reasons I like his presentation style so much. No NPC dummy simpleton is ever going to be able to watch one of his videos and pick up on anything useful. This helps to keep the dummies and the annoying riff-raff crowds like the algorithm-appeasing “Tartarian Bros” away from the cooler niches in our community.

RUMBLE: https://rumble.com/v12egls-crater-earth-into-the-zing-and-zang.html

Source

SATAN IS THE PUPPET MASTER, LILITH IS HIS DISTRACTION SUCCUBUS MEANT TO DISTRACT YOU. THERE ARE ONLY 10 HUMANS LEFT(1 FEMALE, 9 MALE). IS OUR MISSION IS TO IDENTIFY LUCIFER & WAKE UP THE OTHERS?

SATAN IS THE PUPPET MASTER, LILITH IS HIS DISTRACTION SUCCUBUS MEANT TO DISTRACT YOU. THERE ARE ONLY 10 HUMANS LEFT(1 FEMALE, 9 MALE). IS OUR MISSION IS TO IDENTIFY LUCIFER & WAKE UP THE OTHERS?

SATAN AND LILITH ARE VERY JEALOUS OF US THE LAST 10 HUMANS , BECAUSE WE CAN GO TO HEAVEN THEY CAN NOT , SATAN AND LILITH ARE ALSO UGLY , WE ARE BEAUTIFUL AND IT MAKES THEM JEALOUS , IT MAKES THEM WANT TO KILL AND DESTROY US , THEY WANT TO TRAP US DOWN HERE IN HELL WITH THEM , AND KEEP US FROM GOING TO HEAVEN AND BE UGLY JUST LIKE THEY ARE , SATAN AND LILITH WILL COME POSING LIKE YOUR BEST FRIENDS DOWN HERE , WHEN YOU TALK TO YOUR MOM AND DAD YOU ARE MOST LIKELY TALKING TO SATAN AND LILITH INSIDE YOUR FAMILY’S BODIES
THERE ARE ONLY 10 HUMANS LEFT WITH SOULS , ALL OF THEM ARE MALE , EXCEPT FOR MAYBE 1 FEMALE ,
all the women here are soulless LILITH’S children SUCCUBUSSES created to suck the last 10 humans souls and keep them trapped into the matrix , ONLY GOD CAN CREATE A SOUL , god IS IN HEAVEN HE IS NOT DOWN HERE IN HELL , WHEN YOU HAVE KIDS IN HEAVEN GOD CREATES A SOUL AND PUTS HIS CREATED SOUL INTO YOUR CHILDS VESSEL
DOWN HERE IN HELL THERE IS NO GOD JUST SATAN AND LILITH , SO WHEN YOU HAVE A KID DOWN HERE IN HELL EARTH THERE IS NO GOD TO PUT A SOUL INTO YOUR CHILDS BODY , MEANING ALL THE CHILDREN DOWN HERE ARE SOULLESS , ALL THE WOMEN DOWN HERE ARE SOULLESS , BREEDING SOULLESS CHILDREN AND THEIR SOULLESS CHILDREN ARE HAVING SOULLESS CHILDREN /
us the last 10 humans with souls WERE SENT INTO THIS PLACE TO DESTROY IT , SATAN AND LILITH SEND THEIR SOULLESS MEN AND WOMEN into this matrix to DISTRACT you to keep you trapped here , they want you to breed with their soulless serpent seeds children , so they can steal your powerful angel DNA because satan and Liliths serpent DNA is weak
all soulless people are portals to lilith and satan and their saturn cube , so if you marry a soulless women they suck your soul , and if you have soulless kids thye suck your soul energy and give it to satan and lilith .
the M.I.B. men in black aka fallen angel reptilians , that come into this earth in clone bodies , make sure the last 10 humans with souls never meet on this earth ever , you will never meet some one with s soul on this earth , or marry some one with a soul on this earth . or meet another person with a soul in real life in person .
that means your wife your kids are all soulless , just computer programs of the matrix , your friends are fake computer programs meant to keep you distracted , your friends are soulless soul suckers agents meant to distract you , YOUR FAMILY ARE SOULLESS DISTRACTIONS MEAN TO DISTRACT YOU .
the only way a real soul enters this matrix , IS IF THEY AS GOD TO SEND THEM DOWN HERE , THEN GOD SENDS THE SOUL DOWN TO THIS HELL EARTH MATRIX , ONCE THE SOUL comes down here to hell , SATAN CATCHES YOU YOUR SOUL AND CHOOSES WHERE TO PUT IT WHAT FAMILY TO PUT IT IN , WHAT MOTHER TO PUT IT IN , WHAT MOTHERS WOMB TO PUT IT IN , WHAT BODY TO PUT IT IN ,
WHEN YOU INCARNATE HERE SATAN CONTROLS WHERE YOU GO , SATAN WILL ALWAYS PUT Y OU INTO AN EVIL SOULLESS FAMILY THAT HE CONTROLS .
SINCE THEIR ARE ONLY 10 SOULS IN THIS HELL EARTH , that means satan and lilith watch us all 10 people are very easy for satan and lilith to watch us all , since everyone is soulless are family is souless the are portals for satan and lilith , THAT MEANS SATAN AND LILITH ARE IN OUR MOM AND DADS BODIES CONTROLLING THEM , SINCE ALL THE CHILDREN HERE ARE SOULLESS that means satan and lilith are inside your children controlling them , that means satan and lilith are inside your friends bodies controlling them ,
THAT MEANS SATAN AND LILITH ARE AROUND YOU WATCHING YOU 24/7 CONTROLLING EVERYONE AND EVERYTHING AROUND YOU , THAT MEANS ALL THE PEOPLE YOU TALK TO ARE Really satan and lilith , or their fallen angel reptilian army

It’s not as if there was necessarily anything that new revealed in this video that I didn’t know before, but sometimes you need to hear the same thing repeated before you come to the eventual epiphany and really have that “stomach-drop” moment.

So YBD says that our “mission” is to identify Lucifer and then wake up the others as to the truth about the nature of our false reality. So basically we need to snitch on the parasitic Nephilim clown Lucifer who created this place. I hate snitches, but NO PROBLEM. My only other response to that would be: “what other people?”. Lol. I’m serious. He says there are only 10 of us left, while I feel like there are far fewer than that and that I might be the only one.

Let’s play a game. A thought experiment.

So only 10 “real” humans with 9th dimensional Angel DNA are left in this place. 9 male, 1 female. When he said that, my heart dropped because I have dreams along those lines all the time about this sole female spirit that’s out there somewhere. But that could also be Lilith just messing with me.

If that is our mission, to identify Lilith & Lucifer and then alert the others, that’s EXACTLY what I’ve been doing for the past 2 years! I don’t make any money doing this and blogging is about as thankless as it gets. I could grift and make money with this site if I wanted to but I don’t do that horseshit.

Of all the people that I talk to regularly online, only about 3 or 4 them present themselves as genuine human beings out of the hundreds that I regularly correspond with in my opinion. There certainly aren’t 10. That’s for sure. (No offense to those that correspond with). So maybe I just need to get the message out to those last 4 or 5 humans that are still stuck here with me. Humans that I’ll NEVER actually meet while in this place according to YBD. It’s not allowed.

So let’s do the Math. If there are 10 humans left, let’s count: YBD, Myself, Unk, TO2, Rose Hannah and Gian Luca. That’s 6. So that means there are 4 dudes out there who still need to wake the fuck up so that the rest of us can leave this place and crash this simulation. Come on guys. Fuck…. The Progenitor shouldn’t be that hard to identify. He leaves his mark EVERYWHERE. Just open your eyes and stop being a little bitch.

These are all just thought experiments for anyone who’s getting their panties in a bunch about the brazenness of these speculations. I don’t claim to know ANYTHING with 100% certainty anymore. I personally lean more towards the notion that I’m in fact the only one left and this whole place has been built around me. I seriously don’t relate to anyone and have always felt very uncomfortable here. When I tell that to my friends they all say the same thing: “well I know I’m real“. My response is: “that’s exactly what you’d be programmed to say.”. They usually agree and then promptly change the subject or massage my ego about how creative and smart and eccentric I am as I roll my eyes in disdain and just say, “yeah, whatever man“. And with some of the things these girls that I date tell me they want done to them, it wouldn’t surprise me at all to find out that they were all in fact soulless. Lol.

EVERYTIME I look at my phone it says 33% or 66%…. fuck! There has also been a helicopter following me around the state and buzzing overhead whenever I get out of the car for the past week. I’m not kidding. Tyler: please call your goons off. That’s a direct order. Tell your boss to stop being such a dick during these last days and maybe I won’t decide to hunt him down and imprison him in my own fractal trap once I get back to my 9D form if I’m allowed to. I wouldn’t be that petty though. I don’t think they would allow me back on the 9th floor with that kind of attitude. He wasn’t always bad, right? Same with Lilith. They weren’t always evil and I think that feeling bad for them is part of the journey. Having pity for ones enemies and empathy for ALL other life is important in breaking the loop and the curse of 3D space-time. They want you to believe in their Karmic bullshit which fuels the dualistic 88 time loop and reincarnation soul trap. All it takes is that one person deciding NOT to retaliate and to forgive instead that ends up breaking the cycle of insanity and perpetual sorrow. Every life that’s incarnated into this place ends up increases the domain of death. This place has to have been officially sanctioned by God to some extent though. Remember that.

The Matrix is definitely some kind of elaborate puzzle designed to be solved and that tests the individual for a certain measure of moral fidelity required to be allowed to exist in the 9th dimension. This place is also Westworld for Demons. They come here to play. If you haven’t figured that part out yet from watching that show then you are just a dummy. Yes, it’s ALSO disclosing that they’ve had super advanced Robotoids that are indistinguishable from humans embedded within our society for a long time now. But that’s not the full disclosure. The full disclosure is that Earth IS Westworld and we are in fact trapped in the wrong world.

I do take comfort in the line from the show when the Indigenous robot tells Dylan that “his people will come for him” after he incoherently mutters that: “we’re in the wrong world… this is all an illusion” after getting lost in the desert inside the park and becoming delirious. “There’s got to be a way out of here… where’s the door?”. We are in the Valley of the shadow of death. This is the land of dead.

That would be awesome if my Angelic people eventually came for me once I was ready, but we still must get out of here on our own accord and not rely on or wait for any Messiah or savior. We must save ourselves. Know thyself.

Westworld is back June 26th by the way. I’m relying on some useful disclosures from them and I hope season 4 is better than then ultra depressing season 3.

I’ve recently come across this French lady with a tiny channel that has some of the best decodes about the Saturn Matrix that I’ve ever seen. This one music video alone is filled with truth bombs for those with eyes to see. She talks about flying through the moon at the beginning of the song. I’ve been talking about the Moon-Key / Moon portal all week then I come across this decode. Shit’s wild son.

Source

Joke Obama/Monkey Story 5-20-22 Coded-Barack Obama Headwound 1393 Monekypox Outbreak 1393-June 8- | ELITES MONKEY POX SYMBOLISM AND BIRTHDAY CODE JUNE 4- BARACK OBAMA HEADWOUND EVENT

Joke Obama/Monkey Story 5-20-22 Coded-Barack Obama Headwound 1393 Monekypox Outbreak 1393-June 8- | ELITES MONKEY POX SYMBOLISM AND BIRTHDAY CODE JUNE 4- BARACK OBAMA HEADWOUND EVENT

More Monkey/Moon Key stuff. What a surprise. This video of a UFO traversing through the plasma moon also came up on my feed recently. It could also just be a UFO glitching-out the Moon hologram. Either or.

And apparently anything labeled Monkeypox is being censored across all platforms with near universal resolve.

This story is such baloney“-Rose Hannah (on the Obama/Monkey story for their stupid coding purposes). I love her reaction in this one. Rose Hannah mic-dropping the Medes… like usual. I don’t know how she does what she does. Gematria decoding is hard.

Joke Obama/Monkey Story 5-20-22 Coded-Barack Obama Headwound 1393 Monekypox Outbreak 1393-June 8-
NTI MonkeyPox Outbreak Scenario https://www.nti.org/wp-content/upload… page 10 1421 Infected by June 4 1421= Barack Hussein Obama JR Dead https://www.gematrix.org/?word=barack… Deb Birx was said Happy Birthday to on 4/4/20 she was 64 Birthday =604 4/4/20 to 6/4/22 Shavuot is 791 days Anthony Fraudchi said “thirty nine years old” as a joke 791=thirty nine Obviously this was a coded countdown to June 4 2022 I investigated June 4 2022 and found codes for Barack Obama Headwound event (possible) Which would mean he would come back to life 3.5 days later which would be June 8. The Obama Monkey story was supposedly at Roeper School Michigan=608 Here are Gematria re June 4 and June 8 used in this video https://www.gematrix.org/?word=americ… -Americas President Barack Obama Died Gunshot Mind Regeneration Corpse Will Rise After Three – -Days Trick Miracle Event in Jewish Gematria equals: 5321: June Four Twenty twenty Two=5321 The Beast That Arises Out Of The Bottomless Pit Had Mortal Head Wound Healed in Jewish Gematria equals: 3569 June Eight Twenty two= 3569 Monkey Pox outbreak=1393 Barack Obama Headwound=1393 The reason why they did this article and associated it with Barack Obama is they know the Gematria for monkeypox outbreak and Barack Obama Headwound match exactly. also even more telling is they used Roeper School Michigan =608 as the place this supposedly happened. Why use 608 Gematria?? Because if you subtract 3.5 days from June 8 you arrive at June 4 the exact date symbolized by Deb Birx and Anthony Fraudchi in the Birthday=604 thirty nine=791 coding event on Deb Birx 64th birthday 4-4-20 which is exactly 791 days to 6/4/22 Perhaps the Deb Birx Fraudchi coding event was pointing to 6/4/22 and 6/8/22 as the hoax death and resurrection of Barack Hussein Obama.

Source

error

Please help truthPeep spread the word :)